From
the morning alarm to clicking off David Letterman's video antics
via remote control, the work of industrial designers impacts the
way you work, play and even express yourself throughout the day.
From cell phones to lap tops, den recliner to office work station,
the style of your eye shades to the line of the sedan in the drive,
industrial designers merge function, safety, comfort, technology
and style in giving massed-produced objects their individual characteristics
and consumer appeal.
The creative process of the ID
is the subject of Design at Work: The Process Behind Products
at Charlotte, NC's Mint Museum of Craft + Design, July 7 through
October 7, 2001. The exhibition is organized by MMC+D curator
Mary Douglas and will feature the work of four Charlotte-based
design firms - Axiom, BOLT, Design/Joe Sonderman, Inc. and Tolleson/Design.
Furniture, industrial and consumer
products will be illustrated from start to finish in stages of
design development and production. Concept sketches, CAD renderings,
engineer drawings, research, models, prototypes, advertising and
other collateral materials will accompany the finished products.
The exhibition itself will serve as a design example as Design/Joe
Sonderman will be creating the presentation and making the process
of its development visible within the show itself.
Design at Work also presents
displays on related topics beginning with "What is Industrial
Design?" The design process is charted to indicate underlying
constants in all projects. Behind each product is a team that
includes business executives, market researchers, industrial designers,
engineers and manufacturers. Human factors are represented by
ergonomics, psychology (perception) and anthropometrics (science
of measuring the human body). Teams are correlated to a production
schedule that illustrates each member's involvement in the design
process.
Specific materials and processes
will be illustrated, such as the mold making properties of plastics
in prototyping technologies. With an emphasis on function, process
and material, Design at Work underscores the relationship
of craft and design. Industrial Design historically functioned
as an extension of the craftsman and tradesman. Today design is
more concerned with looks. Styling is often the primary agent
of change as evident by automotive design.
Design at Work showcases professional activity in the Carolinas
region.
Featured projects include:
A work carrel designed by BOLT
for Herman Miller that functions as a self-contained "furniture
environment" in a corporate call center. To compensate for the
worker's lack of floor space, BOLT emphasized creature comforts
with personalized HVAC system, lighting and sound controls. Collapsing
hood and windows provide flexibility in privacy and viewing. The
work carrel has the feel of a cockpit, where there is a place
for everything and everything in its place. Other BOLT designs
include the Night Mariner night vision binocular for ITT
Defense, "Respose" biopsy forceps for GI Supply, Kobalt
mechanical tools for Lowe's and the "Thoughtcaster" Attention
Training System manufactured by East 3.
Tolleson's Speedway office
desk system for Tellus, comprised of desktop, files and hutch,
presents an all-inclusive solution that can accommodate a production
worker or top executive. The product is designed for reconfiguring
into "teaming environments" for interdepartmental meetings/work.
Other Tolleson designs include the Elicit seating line for Harter,
the Wrought Iron Café set for Woodard and airport seating for
Chromcraft.
Axiom's designs include
a warehouse inventory scanner for Compsee, a nurse location device
for Hill-Rom and a drug discovery device for Xanthon. These products
reflect the firm's industrial focus and its specialty in prototyping
technology.
Design/Joe Sonderman, Inc. has
expanded the bounds of traditional industrial design practices
to include exhibit design, packaging design, environmental design
and corporate identity. Projects include the resorts of Kiawah
Island and Wintergreen, Lowe's Motor Speedway, Charlotte's Discovery
Place Science Museum, Atlanta's SciTrek, the Universities of North
Carolina and Virginia, municipalities of Charlotte and Raleigh
and industrial clientele Bowater and IBM.
"In an age of specialization,
the industrial designer remains a renaissance figure combining
knowledge about technology and the visual arts with knowledge
about people," stated Mary Douglas. A thorough understanding of
physical science, engineering principles, ergonomics, aesthetics
and industrial materials and processes are combined with psychology,
sociology and the communication arts in forming a manufactured
product, shaping it to fit the people who use it and the industrial
process that produce it.
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The Mint Museum of Craft + Design is located at 220 North
Tryon Street, Charlotte, NC.Hours are Tuesday through Saturday
10 am - 5 pm and Sunday 12 - 5 pm.Admission is $6 adults, $5 seniors
and college students, $3 students 6 - 17 and free for museum members
and children 5 and under. For information anytime, call the museum
at 704-337-2000 or check the museum's web site at www.mintmuseum.org